30 Day In-Home Trial

Our 30-day, in-home, risk-free trial works very simply and easily.  We will ship you any equipment that you wish.  You use it in your own home to listen to your familiar music, in your own listening room, with your own associated audio components for up to 30 days.

If you are not satisfied with the equipment for any reason, we insist you return it as we only want and have happy customers.   You can relax when working with us knowing that you won't get stuck with anything you don't like.

Sanders Sound Systems Electrostatic Speakers and Amplifiers In Home Risk Free TrialSanders Sound Systems Model 10 Electrostatic Speakers in cherry

This is a much better way to audition equipment than going to a dealer's showroom where you listen in a strange environment for only a few minutes.  You can only really get to know audio equipment by living with it for at least several days in your own home where you can use your own familiar equipment and listening room and have plenty of time to listen to much of your music collection.

Our equipment is modular so it can be handled by one person and shipped by UPS directly to your door.  No trucking firms, palletized shipments, lift gates, or truck docks are involved and you need not be home to accept delivery.

 

Shipping time is about one week to most anywhere in the world.   Tracking is available so you can follow your shipment and will know exactly when it will arrive.

 

Amplifiers

 
 
 
DESIGN PHILOSOPHY
 
Conventional amplifiers have serious problems when forced to drive electrostatic loudspeakers. Roger Sanders has developed the first amplifier specifically designed to drive these unusual speakers.
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Conventional amplifiers have serious problems when forced to drive electrostatic loudspeakers. Roger Sanders has developed the first amplifier specifically designed to drive these unusual speakers.
 
Electrostatic loudspeakers (ESLs) are very different from conventional magnetic speakers and place unusual and difficult demands on the way amplifiers deliver power to them.
 
A magnetic speaker presents a resistive/inductive load to an amplifier, while an ESL appears mostly as a capacitor.
 
We have developed both the ESL amplifier and the Magtech amplifier to meet these demands. Our pre-amplifier has been designed to match the faceplates of our amplifiers.  

silvercombo Amplifier and Preamplifier in Silver

 

 

WHAT IS THE DIFFERENCE BETWEEN THE ESL AMPLIFIER AND THE MAGTECH AMPLIFIER?

 

Sanders Sound Systems Amplifier and Preamplifier - Black


 Both the ESL and Magtech amps use the same special amplifier modules that Roger designed to drive electrostatic speakers.  The difference between the two is that ESL amps use a conventional, free-floating, unregulated power supply while Magtech amps use Roger's unique, 100% efficient, linear, regulated power supply.  
 
Magnetic speakers draw tremendous current from an amplifier and that causes the internal power supply voltages to fluctuate dramatically in response to the music (typically by about 30%).  This reduces the power from the amp and causes the distortion and bias to be modulated by the music.
 
A regulated power supply maintains stable internal voltages at all times.  This is a tremendous improvement over a free-floating power supply.  All amplifiers should use regulators, but virtually none do because their designers have not figured out how to make a powerful regulator that doesn't waste vast amounts of heat.  Our regulator is unique in that it runs cold and wastes no heat.  So we offer virtually the only regulated power supply amplifier on today's market.
 
Electrostatic speakers operate on voltage, not current.  So they don't cause major fluctuations in the internal voltages like magnetic speakers do.  But they will still cause some voltage modulation and mains voltage is not stable either.  So even electrostatic speakers will benefit from an amplifier with a regulated power supply.

A regulated power supply will provide the best performance, so most of our customers (even our electrostatic speaker customers) opt for the Magtech. We  keep the ESL amp in our line-up because it costs less than a Magtech and so represents a tremendous value.  So those customers for whom money is a major concern, use the ESL amp instead of the Magtech.
 
In summary, the Magtech amp is the best for all speakers because it not only has the electrostatic amplifier modules, but it also includes a regulated power supply.  So unless money is a major concern where the value of the ESL amp is essential, Roger recommends the Magtech.

 

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Contact Us

CONTACT US

 

contact

Sanders Sound Systems Contact Us

Sanders Sound Systems

12054 Deer Trail Road
Conifer, CO 80433

303-838-8130

This email address is being protected from spambots. You need JavaScript enabled to view it.

 We ALWAYS answer our emails promptly. If you have a spam filter, please add sanderssoundsystems.com and sanderssound.com to your email white list. If you don't receive a reply, check your spam filter and of course, you can call us anytime.

 

Analog Preamplifier

 

Price: $5,000

The preamplifier is the control center of your system. This preamplifier is designed to provide the finest and most transparent acoustic performance available while increasing the value to our customers. Specifically, the new Sanders Preamplifier combines the performance and features of our previous Line Stage and Phono preamps into one.

 

 Preamp-black-front-1

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Our previous preamps (line stage and phono) were $4,000 each, for a total cost of $8,000 for our customers who needed a phono preamp.  Since both preamps are now combined, customers who need a full-function preamp can now save several thousand dollars as the new preamp sells for half the price of the previous two.

Additionally, more modern circuit design technology has reduced distortion and noise figures from those in the earlier preamps.  The styling has been redesigned to better match our amplifiers.  A video processor pass through also is included in the new preamp.  All the previous ergonomic and performance features of the earlier preamps have been retained.

The goal of a true audiophile grade preamplifier is to offer gain, switching, and other conveniences, while at the same time passing the original signal downstream without adding distortion, noise, or a sonic signature of its own.  The Sanders Preamp does exactly that but includes many ergonomic features for convenience and ease of use that are not available on even far more expensive preamps.

The levels of each individual input can be adjusted to get them all matched so that you don't get "blasted" or have to turn up the main level each time you switch sources.  A stereo/mono switch remains standard equipment.  The overall gain, individual gain between devices, and channel balance can be adjusted in precise, 1 dB increments.  Muting by remote control is standard.  A video readout makes it easy to monitor the levels.

Controls are available both by remote control and on the front panel.  Front panel controls are done through micro-touch electronic switches.  Internal switching is done by miniature, sealed, gold relays.  Conventional rotary volume controls have channel matching error of around 20%, which causes the left/right balance to shift as you change the level.  To solve this problem, some preamp manufacturers use discrete, precision resistors on a multi-step switch.

 

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While this solves the channel tracking problem, they introduce new ones.  Specifically, they have very limited resolution due to too few steps (typically 31 steps of 2 dB each).  These "stepped attenuators" produce very annoying switching transients at each step.

The Sanders Preamp solves these problems by using the "volume control" knob to drive an optical comparitor circuit.  The optical circuit operates a microprocessor that controls an electronic gain system.  This controls the level using one hundred, one dB steps, with precision of greater than 0.1% between channels.

The microprocessor monitors the signal voltage and waits for it to cross the zero voltage point between waves before switching to the next level.  This prevents any switching transients.
The volume control knob has detents at each 1 dB point and it rotates continually.  So it as an infinite number of detents and you can feel each 1 dB change in level.

There is a digital display with beautiful, blue, light emitting diodes (LEDs).  The display continually shows the output level of the unit and switches automatically to show level differences between channels, when you adjust the balance, or when you adjust the input levels.  You no longer have to guess at the levels or try to see fine gradations on a knob to know the levels, since you can see them from several feet away.

Most components come with a remote control transmitter that only controls that particular component.  Therefore you end up adding that remote transmitter to the pile of remotes you have for all your other electronics.

Rather than contribute to "remote clutter", the Sanders Preamp comes with a programmable remote that can be used to operate all your components.  You will then no longer have to dig through a pile of remotes every time you want to adjust something in your audio/video system.

The phono preamp offers exceptional flexibility and features, including virtually all the features of the most expensive, dedicated phono preamps.  These include switchable gain for both moving magnet and moving coil cartridges, and user-adjustable cartridge loading for both resistance and capacitance so that users can match their cartridge manufacturer's specifications for optimum performance.  The phono circuit has the benefit of extremely low distortion and an ultra-quiet noise floor.

Preamp-silver-front-1

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Sanders Sound Systems Preamplifier Back

 

 SPECIFICATIONS OF PREAMPLIFIER 

Electrical Specifications

INPUTS

  • Five unbalanced inputs at line level using RCA connectors.
  • One balanced input using XLR connectors.
  • One unbalanced, RCA phono input with switchable gain, adjustable input loading, and RIAA equalization.
  • One unbalanced video processor input with fixed level at unity gain for "pass-through" use.

OUTPUT

  •  Two pair of adjustable, unbalanced, outputs at line level using RCA connectors
  • One pair of adjustable, balanced, outputs using XLR connectors (Pin 2 "hot")
  • One unbalanced, fixed level output at unity gain for recording using RCA connectors
  • All outputs may be used simultaneously

 Frequency Response

-3 dB at 5 Hz and 200 kHz

Noise

Greater than 100 dB below 1 volt reference

Distortion

Less than 0.002% from 10 Hz to 40 KHz @ 5 volts peak into  600 ohms or higher, shunted by 1,000 pF or less

Output Impedance

50 ohms, non-reactive, balanced or single-ended

Phono Input Impedance  

User adjustable between 47,000 and 100 ohms.  Default  setting is 47,000 ohms

Phono Input Capacitance  

User adjustable between 50 pf and 1,200 pF.  Default setting is 50 pF.

Input Impedance

47 kohms, balanced or single-ended 

Gain  

User adjustable up to 18 dB.  Default setting is +8 dB

 Maximum Output   

 10 volts peak

Crosstalk

Greater than 70 dB from 20 Hz to 20 KHz 

Power Supply

Independently regulated with shielded toroidal transformer and 20,000 uF of capacitance

Power Consumption

10 watts

Voltage

Voltage is user selectable for use world-wide

 

 

Weight and Dimensions

Weight

Net Weight:  8 pounds (3.6 KG)
Shipping Weight:  13 pounds  (5.9 KG)

 

Dimensions

17" wide x 2.5" tall x 10.5" deep (43cm x 6.35cm x 27cm)

 

Speakers and Electronics are manufactured in Conifer, Colorado.

Digital Preamplifier

 $6,000

The digital preamplifier fundamentally is our analog preamplifier with the addition of both S/PDIF and USB digital inputs.  This results in a full-function preamp that includes all the normal analog inputs and features -- including a phono stage -- combined with the ability to accept all the usual digital music sources.  
 
This means that it is no longer necessary to buy an external DAC with all its additional clutter and awkward operation.  By including a DAC in the preamp, the operation of your audio system control center is fully integrated and offers remote control of everything, including your digital sources and their level controls.  
 
Of course, the DAC needs to be a state-of-the-art unit that offers the very finest digital performance.  Only the best DAC performance is acceptable.  
 
To achieve this, Sanders has partnered with Light Harmonic to provide the DAC module for our preamp.  You can find more details on this superb DAC on the Light Harmonic website -- www.lightharmonic.com/home-audio.  
 

Light Harmonic DACs are extremely expensive, but you can obtain the same performance in our Digital Preamp for a fraction of the cost -- and get a full-featured preamp as well!  Sanders believes in giving great value for the money, and this is a perfect example of this philosophy.  

 

 

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reduced rear full

 

reduced rear left

 

 

 

reduced rear center

 

 

 

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CIRCUIT SPECIFICATIONS

 

Electrical Specifications

 

INPUTS

  • One balanced input using XLR connectors.
  • One unbalanced phono input with switchable gain, adjustable input loading,and RIAA equalization.
  • One unbalanced line level input.
  • Unbalanced video processor input with fixed level at a unity
    gain as a pass-through.
  • Digital USB and S/PDIF inputs.

OUTPUT

  • Two unbalanced, adjustable outputs at line level using RCA connectors
  • One balanced, adjustable output at line level
    using XLR connectors (Pin 2 hot).
  • One balanced, adjustable output at line level
    using XLR connectors (Pin 2 hot).

All outputs may be used simultaneously.

FREQUENCY RESPONSE:

-3 dB at 5 Hz and 200 kHz

NOISE:

Greater than 90 dB below 1 volt reference

DISTORTION:

Less than 0.002% from 10 Hz to 40 KHz @ 5 volts peak into
600ê or higher, shunted by 1000 pF or less.

OUTPUT IMPEDANCE:

50ê, non-reactive, balanced or single-ended

INPUT IMPEDANCE:

47kê balanced or single-ended

GAIN:

8 dB (user adjustable)

MAXIMUM OUTPUT:

10 volts peak

CROSSTALK:

Greater than 70 dB from 20 Hz to 20 KHz

POWER SUPPLY

Independently regulated with shielded toroidal transformer and 20,000 þF of capacitance

POWER CONSUMPTION:

10 watts

 

Digital Specifications

DAC Chip: ES9018 Native PCM Format Decode: 16/44.1KHz to 32bit 384KHz
IOS support: Enabled through CCK Native DSD Format Decode: DSD64, DSD128, DSD256
Windows OS support: Enabled through LH Windows Driver MacOS Support: Plug and play
S/PDIF Input: 44.1K to 216K linear PCM Digital Filter: LIght Harmonic TCM (Time Coherence Mode)
Audio Master Clock: TCXO Customized DUAL S/N ratio: 102 dB

 

 

Weight and Dimensions

WEIGHT: 8 pounds (3.6 KG)

Shipping Weight: 13 pounds (5.9 KG)

DIMENSIONS

HEIGHT: 21/2" (6.35 cm)
WIDTH: 17" (44 cm)
DEPTH: 101/2 (27 cm)



We sell Direct World-Wide  (along with select dealers) - Prices apply World-Wide - 30 Day In-Home Risk Free Trial 

We are so confident in the design and build quality of our products, that we offer a

Sanders Sound Systems Lifetime Warranty

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